Arausio theater overhead5/29/2023 More I read about Roman theatres the more I realized that there was no adequate catalogue Which led to the present book during a stay at the British School at Rome in the same year. Sparked off an enduring interest in Roman-theatre architecture. That volume has so far not appeared, but it My interest in Roman theatres goes back to 1984 when Professor John Jory asked me toĬontribute a chapter to a volume on the subject. On acid-free paper by Antony Rowe Ltd., Chippenham, Wiltshire Typeset by Graphicraft Limited, Hong Kong Library of Congress Cataloging in Publication Data You must not circulate this book in any other binding or coverĪnd you must impose the same condition on any acquirerīritish Library Cataloguing in Publication Data Oxford University Press, at the address above Outside the scope of the above should be sent to the Rights Department, Or as expressly permitted by law, or under terms agreed with the appropriate Without the prior permission in writing of Oxford University Press, Stored in a retrieval system, or transmitted, in any form or by any means, No part of this publication may be reproduced, The moral rights of the authors have been assertedĭatabase right Oxford University Press (maker)Īll rights reserved. Oxford is a registered trade mark of Oxford University Pressīy Oxford University Press Inc., New York South Korea Switzerland Thailand Turkey Ukraine Vietnam Guatemala Hungary Italy Japan Poland Portugal Singapore Kuala Lumpur Madrid Melbourne Mexico City NairobiĪrgentina Austria Brazil Chile Czech Republic France Greece It furthers the University’s objective of excellence in research, scholarship,Īuckland Cape Town Dar es Salaam Hong Kong Karachi Oxford University Press is a department of the University of Oxford. To late antiquity, with concentration on the central periods, areas, and material categories of Authoritative volumes cover subjects from the Bronze Age The series includes self-contained interpretative studies of the art and archaeology of theĪncient Mediterranean world. With an MC 930 microphone pair, ideal stereo recordings can be used in the XY or ORTF method.OXFORD MONOGRAPHS ON CLASSICAL ARCHAEOLOGY Not only does it become a first-rate tool in the studio, it also makes it possible to use it with sound reinforcement, where excellent sound and maximum feedback safety are essential. Due to its frequency-independent cardioid characteristics, the MC 930 has an excellent directivity in conjunction with high backward cancellation. The MC 930 works on a phantom power of 11 – 52 V and can therefore also be used in live as well as in installations. Together with the WS101 windscreen, the MC 930 can be used as a microphone for vocal applications and as a microphone. The switchable depth reduction with 6 dB / octave at 250 Hz compensates the close-up effect. Due to the switchable pre-attenuation of 15 dB, it is also ideally suited for use at very high sound pressure levels. The MC 930 is ideal for recording choral, orchestral and solo instruments. The characteristics of the MC 930 are the large transmission range of 40-20,000 Hz and a noise voltage separation of 71 dB. This high-quality, universally applicable condensation microphone impresses with an ideal price / performance ratio. Windshield and microphone clamp included.Maximum sound pressure (at 1 kHz, 800 Ohm load): 136 dB SPL.Total Harmonic Distortion (131 dB SPL at 250 Hz, 800 Ohm load): Can be used even under extreme temperature and humidity conditions.Phantom power in accordance with DIN 45 596 with voltage from 12 to 48 V. 3-Step switchable high-pass filter: Linear, 6 or 18 dB / octave reduction.Low sensitivity to interference at high-frequencies.Distortion-free recordings even at high sound pressure.Low inherent noise and high overdrive protection.Linear frequency response for precise sound reproduction.High quality, permanently polarised condenser microphone.Cardioid directivity for maximum isolation of the signal source and reduced background noise. Foam windscreen, and case for carrying and storage are included. The SM81 is equipped with a three-way switchable high-pass filter and 10 dB attenuation. This extremely robust microphone operates on phantom power and performs reliably over under extreme temperatures and humidity conditions. Its very linear, wide frequency range, low inherent noise and low noise sensitivity at high-frequencies, have made the SM81 the standard for recording acoustic instruments such as guitar, piano and drums. The Shure SM81 is a high-quality, directed condenser microphone with cardioid directivity designed for studio recording, broadcasting, TV recordings and public addressing.
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